Those in favor of the match help out, and those opposed to it will do everything to destroy it. There must be AVATARS for and radically against the relationship. I can’t be with him.” Also see Opposing Forces. The Rival might also be a personal ethic: “This person is great, but is morally corrupt. In courtship stories, the Rival is the third-wheel AVATARS who is involved with one of the lovers. There must be a triangle of relationships that includes a Rival. The Love genre has eight necessary conventions: Without these, the reader will be confused, unsettled, or bored and quit reading. Conventions set up genre reader expectations. Genre CONVENTIONS are specific requirements for the story’s ALTERNATE WORLD, AVATARS, or circumstances that create conflict and enable solutions. It proves the power of two together is exponentially stronger than the power of one. The CLIMAX of the Love genre is the Proof of Love scene-the most powerful moment in a love story because it’s when readers feel the love for themselves. Love stories allow readers to feel romance without risk. If the protagonists can find authentic connection, perhaps the reader can too. When the lovers sacrifice selflessly, without hope that it will do them any good, the reader feels the Core Emotion of romance, completing their connection as it should be. We see three subgenres of Love Story: obsession, which is driven by desire courtship, which is driven by a need for commitment and marriage, which is driven by a need for emotional intimacy. The negative points on the spectrum go beyond hate to indifference and hate that masquerades as love, and the positive aspects of love branch in three directions, depending on the subgenre of the Love story.
The Love genre is derived from the need for connection, which spans love and hate and gradations in between and beyond. Eros includes sexual desire but also asks that we grow and become better versions of ourselves so we can form a tighter bond with our beloved. Romantic love, or eros, requires more vulnerability, more risk, and a broader commitment than other relationships. This connection awakens during the Lovers Meet scene.
The protagonist yearns for connection, intimacy, and the assurance that another human being sees and knows them. The core need of the protagonist in a Love story is connection. The FOUR CORE FRAMEWORK helps us meet reader expectations by bringing the core of our story into focus to create an irresistible, memorable, and shareable experience for the reader. The Four Core Framework of the Love Genre
Love fails when the lovers don’t evolve beyond desire. Love triumphs when lovers overcome moral failings or sacrifice their needs for one another. The universal theme or CONTROLLING IDEA of a Love story is: DOWNLOAD NOW What is the Controlling Idea of the Love Genre?
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